Semiotic mode and sensory modality in multimodal semiotics: Recognizing difference and building complementarity between the terms

Authors

  • Martin Oja Department of Semiotics, University of Tartu

DOI:

https://doi.org/10.12697/SSS.2023.51.3-4.05

Keywords:

multimodality, semiotic mode, sensory modality, film

Abstract

This article addresses an issue in multimodal cultural studies – the inconsistent use of the notions ‘mode’ and ‘modality’. As these notions are frequently employed interchangeably, making a clear distinction between them and positioning them in a coherent system will be helpful. To outline such a system, I envisage a two-layer framework where modes and modalities support each other. The central branch of multimodal semiotics (developing from Gunther Kress’ sociosemiotics towards John Bateman’s comprehensive approach) recognizes ‘mode’ as a pivotal research concept. While ‘mode’ as a semiotic resource is dependent on its materiality, culturally shaped practices and discourse semantics, the neurocognitive characteristics of sensory modalities are often seen as secondary to meaning-making. This article suggests that discussion of the semiotic potential of sensory modalities is complementary to the semiotic theory of multimodality. In order to illustrate this, I will construct an experimental typology of modality relations, which also takes modes into account. This typology distinguishes between supporting, modifying, conflicting, substituting and cross-activating relations.

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Published

2023-12-31

How to Cite

Oja, M. (2023). Semiotic mode and sensory modality in multimodal semiotics: Recognizing difference and building complementarity between the terms. Sign Systems Studies, 51(3-4), 604–637. https://doi.org/10.12697/SSS.2023.51.3-4.05

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Section

Articles