Spatial semiosis in culture
Lotman’s conception of semiosphere opens the way to development of spatial semiotics as a special branch of sign theory. There are a lot of peculiarities in the spatial semiosis, which distinguish it from the temporal ones. These distinctions are connected with some special features of semiotized space, and they touch both upon the spatial texts and upon the spatial codes. The spatial syntax has its own specific structures, which can be reversed, non-linear and continual, created without discrete signs. The differentiation relates also to semantics of spatial signs and texts, which are mainly motivated by their denotates due to similarity or contiguity. There are some pragmatic peculiarities of the spatial semiosis: the greater connection with the praxis, on the one hand, and the greater ability for the preservation of the cultural memory, on the other hand. The mainly visual character of spatial texts in plane of expression can be also considered as its specific pragmatic property. These peculiarities give some special possibilities for the spatial semiosis and make necessary its participation in the various spheres of the culture, where diverse spatial codes interact in different ways between each other and with temporal codes as well.