Mässavad asjad / Rebellious Objects
Abstract
I view craftsmanship as a form of resistance, a means of self-expression and an opportunity to preserve independence in an increasingly digitised and consumer-driven world. Drawing on my personal experience as a blacksmith, the article demonstrates how working with materials is not merely about making objects, but also involves a constant dialogue with and confrontation between the individual and the material. The material offers resistance, demands skill and concentration, and teaches us to respect the laws of the physical world.
For me punk culture was a key influence, through which I came to the principles of Do-It-Yourself (DIY). As it was not possible to buy the things I needed, I had to make them myself. This led to the realisation that, in order to bring about change, one must take action oneself and find solutions within the existing constraints. I regard DIY culture as a source of material independence. A person who knows how to repair, make and adapt things is not entirely dependent on the market economy or service providers.
The prioritisation of quality over speed is reflected in handcrafted objects, whose value lies in their uniqueness, imperfections and tactile qualities. I have also staged quiet protests against rigid gender stereotypes and demonstrated that skills should not depend on a person’s gender.
The article highlights the role of handicrafts in helping people to preserve their sense of self in prison camps. In such circumstances, people have often created small objects to preserve their identity and human dignity. Items made by hand – be they diaries, jewellery or mended clothing – help a person retain the sense that they are more than just an object defined and numbered by the system. Finally, the article mentions that for more introverted people who do not wish to speak out loudly in public, a combination of craft and activism – known as ‘craftivism’ – is a suitable form of positive activism.
In summary, practical skills help to maintain autonomy in challenging circumstances. Craft is not merely about making objects; it is a way of preserving independence, creativity and a connection to the material world. DIY culture, repair, taking time over things and practical skills offer an alternative to the conveniences of a consumer society and may even prove essential for survival in a crisis. Craft gives people the opportunity to be masters of their own lives.