Vol. 41 No. 2/3 (2013)

View Vol. 41 No. 2/3 (2013)

Article sections on: Semiotics of montage. Juri Lotman’s semiotics

DOI: https://doi.org/10.12697/41.2-3

Published: 2013-12-31

Articles

Preface. Montage principle and the semiotics of culture

Tomi Huttunen

163-166
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Точка – пафос – тотальность [Point – pathos – totality]

Михаил [Mikhail] Ямпольский [Yampolsky]

167-186
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Метрический монтаж: к теории полиметрических композиций [Metrical montage: On the theory of polymetrical compositions]

Михаил [Mihhail] Лотман [Lotman]

187-199
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From stage to brain: Montage as a new principle of scientific narrative

Oksana Bulgakowa

200-218
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Montage in Russian Imaginism: Poetry, theatre and theory

Tomi Huttunen

219-229
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Jean Rouch: The semiotics of ethnographic film

Irene Portis-Winner

230-240
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The ideological aspect of intersemiotic translation and montage

Peeter Torop

241-265
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Приватизация бунта: “вторая жизнь” раннесоветского монтажа [Privatization of a riot: “Second life” of the early Soviet montage]

Илья [Ilya] Кукулин [Kukulin]

266-311
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Lotman’s epistemology: Analogy, culture, world

Laura Gherlone

312-338
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The place of language among sign systems: Juri Lotman and Émile Benveniste

Remo Gramigna

339-354
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On the dynamics of culture

Juri Lotman

355-370
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Canonical art as informational paradox

Juri Lotman

371-377
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Reviews and Notes

Autocommunication in semiotic systems: 40 years after the Theses on the Semiotic Study of Cultures (Tartu Summer School in Semiotics 2013)

Anti Randviir

378-382
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