The “Black Sounds” of Ene Mihkelson’s <i>Katkuhaud</i> (‘Plague Grave’) and W. G. Sebald’s <i>Austerlitz</i>. Part I. Foundations


  • Maire Jaanus Department of English, Barnard College and Department of English & Comparative Literature, Columbia Graduate School of Arts & Sciences Barnard College 3009 Broadway New York, New York 10027



Ene Mihkelson, Katkuhaud (Plague Grave), post-humanism, Jacques Lacan, Jaak Panksepp, Octavio Paz, W. G. Sebald, Austerlitz


“Foundations” is the first part of a two-part article to be published in Interlitteraria. It gives a brief account of the post-humanistic, foundationless, and traumatic world encountered in Ene Mihkelson’s Katkuhaud (‘Plague Grave’) and W. G. Sebald’s Austerlitz, and continues with more detailed elaborations of the loss of specific foundational ideals, such as their contemporary experience of the failure and limits of language, of sense-making, and memory; the haphazardness of history; the invalidity of compensatory justice, and above all the deletion of their childhood fields of joy and love or of what Panksepp calls their “affective mind.” It prepares for a fuller comparison of Mihkelson and Sebald’s tonality, and their art of valediction and memory in Part two.


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